APRIL 9 - SEPTEMBER 18, 2022
Mouse on Mars
Visualization: Rupert Smyth

For 25 years, Mouse on Mars is widely acclaimed as one of Germany's most eccentric and remarkable electronic music projects, always opening new perspectives.

This year, with an anarchic hybrid sound swinging between uncontrolled chaos and meticulously arranged structures, Andi Toma and Jan St. Werner have created a unique musical idiom unconstrained by schools of thought, conventions of genre, and the pressures of the music industry.

The “Compostruction” is part of their most recent acoustic research, inquiring both into the movement of sounds through time and space and aspects of psychoacoustic perception and the experience of sound: How can we define hearing and listening? How do we process acoustic information? How do our bodies respond to the physical movements of sound in space? How attentively can we observe the process of hearing itself? And in which other ways do we relate to our acoustic environment?