From the early 1970s onward, Tatiana Andreeva (b. 1951, Moscow; lives and works in Switzerland) has developed a groundbreaking visual language rooted in rigor and systematic thinking, combining geometry, close observation of nature, and optical experimentation. Working in modular series, she transforms natural phenomena into abstract systems that explore perception, color, movement, and time.
Curated in collaboration with Bernard Blistène (former director of the Musée National d’Art Moderne–Centre Pompidou), Andreeva’s first exhibition in France, presented by Alina Pinsky, highlights her unrealized Four Rooms project for Moscow’s Central House of Tourism, conceived in the 1970s and inspired by the natural elements and the changing sky.
Trained in physics, mathematics, and textile design, Andreeva also created innovative projects in the fields of applied arts and design. Today, she continues to experiment with a wide range of materials and immersive installations, exploring the transformation of conceptual ideas into spatial forms. Her work is represented in major public and private collections worldwide. This exhibition precedes a major presentation at the Fondation Vasarely (Aix-en-Provence, France) in winter 2026–27.
