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11 MAY
2018
/
23 SEPTEMBER
2018
Art and China after 1989:
Theater of the World
Guggenheim Museum Bilbao
Bilbao, Spain
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| Ai Weiwei Dropping a Han Dynasty Urn 1995 (printed 2017) |
| Three gelatin silver prints, each 148 x 133.2 cm Exhibition copy Courtesy Ai Weiwei Studio |
| Cao Fei RMB City: A Second Life City Planning by China Tracy (aka: Cao Fei) 2007 |
| Color video, with sound, 6 min. Solomon R. Guggenheim Museum, New York Purchased with funds contributed by the Young Collectors Council, with additional funds contributed by Shanghai Tang 2008.30 |
| Cai Guo-Qiang The Century with Mushroom Clouds: Project for the 20th Century (Looking toward Manhattan) 1996 |
| Realized in New York City, April 20, 1996; approximately 3 sec., gunpowder (10 g) and cardboard tube Photo: Hiro Ihara, courtesy Cai Studio |
| Chen Zhen Precipitous Parturition 1999 |
| Rubber bicycle inner tubes, aluminum and plastic toy cars, metal, fragments of bicycles, silicone, and paint L length: approximately 26 m, diameter: approximately 150 cm Pinault Collection, Paris Installation view: Art and China after 1989: Theater of the World, Solomon R. Guggenheim Museum, New York, October 6, 2017–January 7, 2018 Photo: David Heald © Solomon R. Guggenheim Foundation, 2017 |
| Song Dong Stamping the Water 1996 (detail) |
| 36 chromogenic prints, 61 × 40 cm each The Metropolitan Museum of Art, New York Promised Gift of Cynthia Hazen Polsky Performance view: Keepers of the Waters: Public Art concerning Water, Lhasa, Tibet, August 18–19, 1996 Photo: courtesy the artist and Pace Gallery |
| Wang Guangyi Mao Zedong: Red Grid No. 2 1988 |
| Oil on canvas, 147 x 117 cm M+, Sigg Collection, Hong Kong |